I consider art as the indeterminacy of the structured: the act that blooms in the resistance of my alterity to the coercion of the established inherited as a framework of intelligibility. Art is the narrowing of the abyss that opens between the homogeneous and the hegemonic, between the inherent and the learned, between the self and the continuous. Art is the political convergence of soma and its epistemology. Art is the observer objectified by contemplation, held by the transindividual intersections.

I consider that art exposes the fragility of structures, makes them metastable and empowers them to a new horizon: art is our massive evolution channel. The new technologies have allowed us to increase the demediatization of art with respect to academicism, religion, bourgeois fantasies and other coercing sacredness. Art is the message and the brushstroke, the click and the code.